Originally published in The Aquarian Weekly

July 30, 2008

 

 

Dennis Wilson

Pacific Ocean Blue

Sony Legacy

 

ÒNothing much was expected

of Dennis Wilson.Ó So begins Ben

EdmondsÕ essay that is included

in this reissue of the long-out-of print

Pacific Ocean Blue, and the

long lost Bambu. Despite the fact

that it was Dennis who had

brought surfing and cars to the

attention of The Beach Boys in

1961, thus powerfully informing

their early career, he was

something of a wild child, and he

didnÕt even really want to be in

the band in the first place.

 

If Wilson was aware of the low

expectations, it never seemed to

bother him. He was happy to have

the fame, cash the checks, and

drive the fast cars. And yet there

was something inside of him

screaming to get out, and in 1977

he surprised nearly everyone by

releasing the first Beach Boys

solo album, Pacific Ocean Blue.

It had a nice little run on the charts,

and got some good reviews, but

Wilson wasnÕt satisfied. He

continued to record, working on

an album he was going to call

Bambu. Sadly, by then his

personal life was in free fall. The

second album was never finished.

Wilson accidentally drowned in

1983.

 

Both albums were traded

underground for years, and more

recently theyÕve been readily

available on various blogs and

bittorrent sites. But Sony Legacy

has demonstrated once again

how the proper packaging can

make music that you may already

own worth buying again. The two disc

package includes three

essays, including pieces from

Beach Boys insiders David Leaf

and Dennis Wilson and

biographer Jon Stebbins, as well

as additional content on the disc.

The music has been painstakingly

remastered without the

ponderous compression heard

on too many albums these days.

 

WilsonÕs voice is husky and

raw, but so full of emotion that it

works perfectly in the service of

these very intimate songs. The

opening track on Pacific Ocean

Blue is the majestic ÒRiver Song,Ó

which stands alongside any of

the Beach Boys classics, and

in fact was part of The Beach

Boys live set in the early Ô70s. But

the real treasure here is Bambu

since itÕs never before seen the

light of day in any official form.

It rocks a little harder than POB,

but in WilsonÕs hoarse whisper

you can hear the sound of a man

who has very little left to hold on

to. ÒItÕs Not Too LateÓ features

younger brother Carl Wilson on

vocals, and reminds us once

again that both Dennis and Carl

are gone, and without them, all

that remains of The Beach Boys

is the unforgettable music.

 

In A Word: Personal

Grade: A

—by Ken Shane