Originally published in The Aquarian Weekly

February 27, 2008

 

 

Mike Doughty / Golden Delicious

ATO Records

 

If youÕre a fan of the faux-soul stylings

of Donovan Frankenreiter, G Love or Mike

DoughtyÕs former band Soul Coughing,

you might enjoy this new album. Me? Not

so much.

 

Doughty is not without talent. HeÕs just

trying too hard here. One of the best songs

on this album, ÒI Got the Drop On YouÓ finds

him singing intensely over a purely acoustic

track. On ÒWednesday (Contra La Puerta)Ó

he dispenses with the overused hip hop

beats and goes for the jugular with a

passionate performance.

 

On ÒFort Hood,Ó Doughty tells us about

veterans in airport lounges with Òblanked-out

eyesÓ returning from the current war,

and then describes what the lives of these

scarred young people could have been

(ÒÉyou should blast Young Jeezy with your

friends in a parking lotÓ). He borrows the

chorus of ÒFlesh Failures (Let The Sunshine

In),Ó a touchstone of an earlier unpopular

war. ItÕs a moving juxtaposition.

 

Another issue I have with this album is

DoughtyÕs belief that he can replace

meaningful lyrics with nonsense syllables.

This technique has a long and storied

history in rock and roll, and itÕs fine now

and then, but this album is way too full of

barump-a-dum-dums (ÒI Just Want The

Girl In The Blue Dress To Keep On

DancingÓ), na-na-nas (ÒPut It DownÓ), and

ding-dada-dings (ÒNectarineÓ).When I think

of the songwriters who labor over every

syllable, this seems like a cheap way out.

 

In a word: Ba-ba-ba

Grade: C

—by Ken Shane