Originally published in
The Aquarian Weekly
February 27, 2008

Mike Doughty / Golden
Delicious
ATO Records
If youÕre a fan of the
faux-soul stylings
of Donovan
Frankenreiter, G Love or Mike
DoughtyÕs former band
Soul Coughing,
you might enjoy this new
album. Me? Not
so much.
Doughty is not without
talent. HeÕs just
trying too hard here.
One of the best songs
on this album, ÒI Got
the Drop On YouÓ finds
him singing intensely
over a purely acoustic
track. On ÒWednesday
(Contra La Puerta)Ó
he dispenses with the
overused hip hop
beats and goes for the
jugular with a
passionate performance.
On ÒFort Hood,Ó Doughty
tells us about
veterans in airport
lounges with Òblanked-out
eyesÓ returning from the
current war,
and then describes what
the lives of these
scarred young people
could have been
(ÒÉyou should blast
Young Jeezy with your
friends in a parking lotÓ).
He borrows the
chorus of ÒFlesh
Failures (Let The Sunshine
In),Ó a touchstone of an
earlier unpopular
war. ItÕs a moving
juxtaposition.
Another issue I have
with this album is
DoughtyÕs belief that he
can replace
meaningful lyrics with
nonsense syllables.
This technique has a
long and storied
history in rock and
roll, and itÕs fine now
and then, but this album
is way too full of
barump-a-dum-dums (ÒI
Just Want The
Girl In The Blue Dress
To Keep On
DancingÓ), na-na-nas (ÒPut
It DownÓ), and
ding-dada-dings (ÒNectarineÓ).When
I think
of the songwriters who
labor over every
syllable, this seems
like a cheap way out.
In a word: Ba-ba-ba
Grade: C
—by Ken Shane