Originally published in The Aquarian Weekly

June 28, 2006

 

PEARL JAM/MY MORNING JACKET/

Continental Airlines Arena/June 3

 

by Ken Shane

 

 

E.RUTHERFORD, NJ—The archetypal Seattle band

received a well deserved hero’s welcome at their two

show stand at CAA.The Saturday show that I attended

was the final show of this leg of their current tour and

that resulted in a long, loose, fun-filled set.

 

Pearl Jam is a band that produced a first album so

strong that they have lived in the shadow of that music

for the 15 years since it was released. That’s not to

say that they haven’t made great music since Ten,

they have indeed. That fact was amply illustrated as

they performed a wide range of material from

throughout their distinguished career at this show.

 

The evening opened with Eddie Vedder hitting the

stage five minutes before the concert’s scheduled

start time to perform a stirring solo acoustic version

of Bruce Springsteen’s “No Retreat, No Surrender.”

Following that, Vedder introduced the opening band,

Louisville’s My Morning Jacket, and joined them in

their first song, a beautiful version of The Band classic,

“It Makes No Difference.”Vedder then left the stage

to MMJ and they performed a fiery set that featured

strong vocals from Jim James and a two guitar attack

that brought to mind the best of classic southern rock.

Keep your eyes on this band and, by all means, try

to catch them the next time they play this area.

 

Pearl Jam hit the stage at full throttle, opening with

the powerful triad of “Severed Hand,” “Corduroy” and

their current single, the intense “World Wide Suicide.”

It would be nearly three hours, performing 35 songs,

before they would relinquish the stage for good.Even

a short interruption as a result of a power failure

onstage in the early part of the show did nothing to

dim the good spirits of band and audience.

 

In a set of this length, there are bound to be lots of

highlights, and that was the case on this night. I’m

still thrilled at the memory of the mournful “Gone,”

which Vedder described, by way of introduction, as

a song he had written in a hotel room in Atlantic City,

while trying to figure out the chords to the Springsteen

song named after that town. Other stirring moments

included “Comatose,” which followed “Gone” and

made for a powerful one-two punch, “Evenflow,” “State

Of Love And Trust,” “Black,” “Life Wasted” and the

finale “Yellow Ledbetter.”

 

Sadly, some of guitarist Mike McCready’s best

playing was either unheard or unable to fully cut

through the powerful din created by the rest of the

band.Why he chooses to use small combo amps in

combination with a Fender Stratocaster at times is a

mystery. Pearl Jam make brawny, muscular music

that needs the thick, powerful sound produced by

Gibson guitars and Marshall amps, and indeed when

he strapped on the Gibsons, it made a big difference

in the sound. It felt like McCready was trying to play

with finesse, and that’s admirable, but this is a band

that rocks hard and that calls for the right tools.

 

That relatively minor annoyance aside, it was an

absolutely thrilling evening.The crowd, 20,000 strong,

sang along in full voice, even on some of the more

obscure tunes. The powerful machine that is Pearl

Jam has been going strong for 15 years now and,

based on this night, shows no sign of slowing down

anytime soon. They recently released one of their

strongest albums in years and there’s no reason to

think that there’s anything ahead but continued success

for these heroes of rock and roll.

pearl jam

PHOTO BY KEN SHANE